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	<title>LIAM SHARRATT &#187; America</title>
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		<title>LIAM SHARRATT &#187; America</title>
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		<title>The Fuck-Up (1991)</title>
		<link>http://liamsharratt.wordpress.com/2009/05/10/the-fuck-up-1991/</link>
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		<pubDate>Sun, 10 May 2009 19:17:26 +0000</pubDate>
		<dc:creator>liamsharratt</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[America]]></category>

		<guid isPermaLink="false">http://liamsharratt.wordpress.com/?p=76</guid>
		<description><![CDATA[
Nersesian&#8217;s The Fuck-Up is the child of a literary tradition of self-reflection with an almost narcissistic narrative.
The central character is perpetually down on his luck; getting dumped by his girlfriend, getting fired from his job, having his best friend commit suicide, losing his life savings in a gay-cinema scam, getting beat up by his married [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=liamsharratt.wordpress.com&blog=3772410&post=76&subd=liamsharratt&ref=&feed=1" />]]></description>
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<p>Nersesian&#8217;s The Fuck-Up is the child of a literary tradition of self-reflection with an almost narcissistic narrative.</p>
<p>The central character is perpetually down on his luck; getting dumped by his girlfriend, getting fired from his job, having his best friend commit suicide, losing his life savings in a gay-cinema scam, getting beat up by his married lover&#8217;s child, being accused of rape by a movie producers gold-digging girlfriend, and ending up living on the streets. He eventually finds his luck in the most unlikely of places.</p>
<p>Nersesian deals with all these happenings in a utilitarian style, with little scene or character description. Even so, the book has merit in it&#8217;s pace and fluidity, with a constantly downward spiralling plot trajectory dealt with with humour and lighheartedness when it&#8217;s due.</p>
<p>This may not be the greatest piece of modern literature but it&#8217;s sure worth a read, and due to the book&#8217;s spacious layout, not a very long read at that.</p>
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		<title>On the Road (1951)</title>
		<link>http://liamsharratt.wordpress.com/2009/04/23/on-the-road-1951/</link>
		<comments>http://liamsharratt.wordpress.com/2009/04/23/on-the-road-1951/#comments</comments>
		<pubDate>Thu, 23 Apr 2009 17:10:04 +0000</pubDate>
		<dc:creator>liamsharratt</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[Kerouac]]></category>

		<guid isPermaLink="false">http://liamsharratt.wordpress.com/?p=67</guid>
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&#8220;It changed my life like it changed everyone else&#8217;s&#8221; (Bob Dylan)
Kerouac&#8217;s 1951 &#8216;On the Road&#8217; describes several years of the life of Sal Paradise (Kerouac) while he was criss-crossing the U.S. between New York and San Francisco in the years after WWII. The story&#8217;s epic hero is Dean Moriarty (Neil Cassady), who acts as the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=liamsharratt.wordpress.com&blog=3772410&post=67&subd=liamsharratt&ref=&feed=1" />]]></description>
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<p>&#8220;<em>It changed my life like it changed everyone else&#8217;s</em>&#8221; (Bob Dylan)</p>
<p>Kerouac&#8217;s 1951 &#8216;On the Road&#8217; describes several years of the life of Sal Paradise (Kerouac) while he was criss-crossing the U.S. between New York and San Francisco in the years after WWII. The story&#8217;s epic hero is Dean Moriarty (Neil Cassady), who acts as the catalyst for many of the books adventures. Moriarty starts the story as a &#8220;<em>poetic con-man</em>&#8221; and ends up divorced from his third wife and living with his second; &#8220;<em>where once Dean would have talked his way out, he now fell silent <em>&#8230; he was BEAT</em>&#8220;. </em></p>
<p>Kerouac is obsessed with the nature of humanity and life, constantly enthralled with the sounds of jazz and the American landscape. Over the course of the book the pace and prose style quickens, becoming more erratic and vibrant. The slow, descriptive paragraphs of the beginning sections give way to language reminiscent of that created during an acid trip.</p>
<p>It is easy to see how this book became the template for works such as Thompson&#8217;s <em>Fear and </em><em>Loathing</em>. It&#8217;s a must read for everybody, not just those gonzo fanatics out there.</p>
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